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Indian
Classical
Music Performance
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Polymusical
Improvisation |
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| Education |
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1999
-
December
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University of California,
Santa Barbara
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Ph.D. |
Program
in Ethnomusicology, Department of Music |
1990
-
1991 |
University
of Maryland,
Baltimore County |
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Program
in Ethnomusicology |
| 1988 |
California Institute
of the Arts |
M.F.A. |
Performance/World
Music |
| 1980-1982
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College of Marin Kentfield,
California
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Department
of Music |
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| Fellowships
and Awards |
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1997
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Excellence in Ethnomusicology,
Department of Music, UC Santa Barbara
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| 1993 |
American
Institute of Indian Studies
Senior Research Fellowship |
| 1992 |
Regents Fellowship, University
of California |
| 1991 |
Regents
Fellowship, University of California |
| 1990 |
Moses Asch Scholarship,
University of Maryland
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Academics:
Teaching, Publications, Research
Teaching
Experience
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| 2003
- 2004 |
Pomona College, Claremont,
CA
Department of Music
Director — Hindustani
Music Ensemble
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| 2002 |
University of California,
Riverside
Department of Music
Lecturer
American Musical Subcultures:
A Genealogy of Rock
Introduction to World
Music
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| 1997-2001 |
California State University
San Marcos
Global Arts Program, Visual
and Performing Arts
Lecturer
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Survey of World Music
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Survey of World Popular Music
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General Education in the
Humanities
Team-taught interdisciplinary
freshman course, modules in music fundamentals, European music,
world music, popular music and culture.
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Computers and Music Composition
fulfills university requirement
for a computer literacy course
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Music Traditions
of Southeast Asia |
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Javanese
Gamelan |
| 2000
- 2002 |
California State University
Fullerton
Department of Music
Adjunct Lecturer
Survey of World Music
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| 1994 |
University of California,
Santa Barbara
Department of Music
Teaching Assistant: "Music
Appreciation"
Introduction to Western
Art Music for non-music majors
|
| 1993 |
University of California,
Santa Barbara
Department of Music
Teaching Assistant: "Music
in American Popular Culture"
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| 1990
- 1991 |
University of Maryland,
Baltimore County
Department of Music
Teaching Assistant: "Fundamentals
of Music"
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| Publications |
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2004 |
"The All-India Music
Conferences of 1916-1925: Cultural Transformation and Colonial Ideology"
in Essays on the History
of North Indian Music, Joep Bor, ed., Manohar, in press.
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| 2003 |
"Rabab and Sarod:
From Kabul to Calcutta"
Exhibition catalog
for Inde du Nord: Gloire des princes, louange des dieux,
Cité de
la Musique, Paris, March - June 2003
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| 2002 |
"India: The Classical
Traditions"
in Facets of Music;
Faces of Culture, Brenda Romero, ed., McGraw-Hill, forthcoming.
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| 2000 |
Sarod Performance Practice
in the Twentieth Century: Tradition and Transformation in North
Indian Classical Instrumental Music
Ph.D. dissertation, University
of California, Santa Barbara. University Microfilms, Ann Arbor
MI.
Committee: Scott Marcus,
Chair; Amy Stillman; Alejandro Planchart
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| 2000 |
"Sourindro Mohun Tagore"
The New Grove Dictionary
of Music and Musicians, revised edition,
London: Macmillan.
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| 1999 |
Review: Allyn Miner, Sitar
and Sarod in the 18th and 19th Centuries.
Bulletin of the Indian
Museum, Calcutta, India, Volume 34.
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| 1999 |
"Researching the Evolution
of a Musical Instrument in Modern India"
Pacific Review of
Ethnomusicology, Volume 9.
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| 1996 |
"A Brief Intercultural
History of the Sarod"
Proceedings of the Sangeet
Research Academy conference,
Indian Music and the
West.
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| 1992 |
"The Tanpura, A Preliminary
Spectrographic Analysis of the Jawari Phenomenon,"
Proceedings of the
International Symposium on Music Acoustics, Musical Acoustics
Research Group of Acoustical Society of Japan.
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| Research
Experience |
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1997 - 2003 |
Continuing field research
in Calcutta, India on current and historical instrumental performance
traditions.
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| 1995 |
Field Research on the Colonel
P.T. French collection of Indian instruments.
National Museum of Ireland,
Dublin, Ireland.
Archival research.
India Office Library,
British Library, London, England.
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| 1994,
1995 |
Field Research in India on
development of North Indian classical music performance practice
traditions in the 20th century.
Senior Performance &
Research Fellowship, American Institute of Indian Studies
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| 1993
- 1995 |
Research Assistant to Dr.
Amy Stillman, University of California, Santa Barbara.
Computer transcription
of collected Hawaiian songs and song texts.
Use of Finale and Vision
music software for Macintosh computer.
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| 1992
- 1993 |
Research Assistant to Dr.
Lester Monts, University of California, Santa Barbara.
Ethnomusicology Laboratory.
Video and audio recording,
video editing, computer transcription.
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